THE GIMP FROM "PULP FICTION" APPLIES FOR DALKEY ARCHIVE INTERNSHIP


THE GIMP FROM PULP FICTION APPLIES FOR DALKEY ARCHIVE INTERNSHIP

John O’ Brien
Dalkey Archive

Dear Mr. O’Brien,

I recently came upon your notice for unpaid interns and I believe my experience and skills are an excellent match for your requirements.

For the last several years, I have been employed as a gimp in a box in the basement of Zed's Pawn Shop in Canoga Park, Los Angeles. I am tethered. I sleep in a four by two foot storage locker. In all my years in this position (and I do hope you’ll excuse my vagueness on details, which is a necessary condition of my current employment) I have never once been late for work. Nor have I left early. I have worked literally every weekend and evening since the very first night of my enslavement. My goals, while admittedly modest, have each been achieved, each and every day: I have remained silent, obedient, imprisoned.

While some may argue that the particulars of my work uniform and the very complete nature of my containment contributed to these next achievements, I am quite proud to report that I have never, once, in my entire time at Zed’s Pawn Shop, taken personal phone calls during work hours, gossiped, misused company property, submitted poorly written materials, created an atmosphere of complaint or argument, or failed to respond to emails in a timely way.

Damage Control (Alternate Grover Cleveland Story)

“Would you put that goddam thing down,” Cleveland says. “We have a bit of a crisis on our hands, my dear.” Frances gives him the look, finishes whatever she is pecking into her phone, and slips it into her waistband. He catches a glimmer of skin, bronzed and taught. Jesus, she is young, he thinks. Sometimes he wonders if all of them – Fox News, CNN, Politico, MSNBC, Limbaugh, Maddow, the Senate, the House, his own advisors standing right here in front of him – are right.

It’s like Woody told him, though: the only thing that matters is that they love one another. Everybody else be damned.

I am the President of the United States, he thinks. And the only person in the universe who understands what I’m going through is Woody Fucking Allen.

“Oh, a crisis,” Frances says. “But you’re so good at those, dear. So much practice.” She stomps out and Cleveland watches Carville’s assistant watch her ass bouncing back and forth in the yoga pants. She is young. She is young and that is the point. She is young and the daughter of his dearly departed friend Folsom and she used to be his ward and that is the reason Carville is here in the first place, why the whole communications staff, their assistants, and the special crisis communications people have been desperately flailing to control the 48 hour news cycle for the past 144 hours.

And in the middle of it all, this oasis: watching Carville’s assistant watching Frances’ ass. The look on the poor kid’s face. This is why Cleveland got into politics in the first place, Erie then Buffalo and now this. One man against another. One victor. Cleveland.

Jakob Neilsen's Top Ten Design Mistakes in the Human Condition

Here's a story that was originally published on Yankee Pot Roast. But they don't seem to be around anymore, so I'm posting it here, so it has a place to live.




JAKOB NEILSEN'S TOP TEN DESIGN MISTAKES IN THE HUMAN CONDITION

Poor navigation, nonresponsive support, and the complete lack of concrete results top this year’s list of design mistakes in the human condition, according to the 2007 user survey from noted usability expert Jakob Neilson.

Unclear Statement of Purpose

The overall purpose or goal of the human condition remains vague and mysterious at best. Unfortunately, obscuring this basic fact makes it extremely difficult for users to interpret all elements of life, including navigation, measures of success or failure, and time required to complete even the most basic tasks. Quality of existence suffers because it fails to offer the one hard fact that users need to place other facts in their proper context. A strong mission statement would ground users and help provide context to the overall experience, vastly improving usability and user satisfaction.

Confusing Navigation

Current navigation is spotty and, more often than not, simply unavailable. Users require strong navigation in the form of a firm sense of structure and place—where they are and where they should go next. Current best practices in usability call for the development of clear pathways, as well as user-centric navigation. Users also require an adequate Search feature (more below).

Lack of Support

Paul Stanley Summarizes the Tragedies of William Shakespeare During Between Song Banter from the 1977-78 KISS Alive II Tour



Assembly Center
Tulsa, Oklahoma, January 26, 1977

PAUL: Yeah! You all are crazy, Tulsa! I think … I think … I think Tulsa might be the craziest place we played ON THIS TOUR. That’s right, Tulsa! You know what gets me crazy, Tulsa? You wanna knooooooooow what gets me CRAAAAA-AAAAA-AAAA-ZEEEEEE? I get craaaaazeeee when I see them young girls, Tulsa. I see ’em walkin’ down the street so young and clean and I just can’t help myself, people! Remind me of another young boy couldn’t help himself when he saw them young girls. And I ain’t talkin’ about just anybody Tulsa! I ain’t talking about you … or me … or Peter or Ace or even Gene, people! I’m talking bout a man named Romeo, Tulsa! ROOOOO-MEEEEEEE-OOOOOOH! My man Romeo he loved them young girls, Tulsa, oh YEAH, he loved ’em! And this one girl he loved her special. You know who I’m talkin’ about … shout it out Tulsa … tell me Romeo and …

AUDIENCE: JULIET!

PAUL: What you say Tulsa? I can’t HEEAAAR YOU.

AUDIENCE: JULIET!

PAUL: That’s right, Tulsa. This song is about a Juliet all my own, a little girl named … CHRISTINE SIXTEEN!

Kemper Arena
Kansas City, Missouri, November 27, 1977

EXCERPTS FROM 360-DEGREE PEER REVIEW: JACK BAUER, APPLEBEE'S ASSISTANT MANAGER

Here's a story that was originally published on Yankee Pot Roast. But they don't seem to be around anymore, so I'm posting it here, so it has a place to live.




EXCERPTS FROM 360-DEGREE PEER REVIEW: JACK BAUER, APPLEBEE'S ASSISTANT MANAGER

The following comments have been taken from the 360-degree peer review for Jack Bauer [Employee #22132] at Store 332, Harrisburg, Pennsylvania. We provide these comments to you purely in the interest of self-improvement. You are a valuable part of the Applebee’s team, and we hope you can use this feedback from your fellow employees to continue to make Applebee’s America’s neighborhood restaurant.

Trent Kerstetter , Fry Cook

We all get in the weeds sometimes, but most people kind of give each other some slack, you know? I mean, dude, seriously: chicken wings are gonna fry the same speed whether there’s some guy standing behind you yelling “Do it! DO IT NOW!” or not.

* * *

Tammy Reichenbach , Hostess

Jack is always asking for this extravagant stuff, like, “Download the schematic for the mall onto my PDA” or “Get me the access codes to the Arby’s drive-through intercom.” I’m like, if you want me to seat somebody in a certain section, or, you know, not seat somebody, then I can do that, but, like, schematics? Access codes?

* * *

Scott Robertson , Manager

Some ways Jack could improve? Well, I’d say maybe his management style? I mean, he was hired to be a bit of a hardass, you know? I knew he was experienced, had some kind of law enforcement or something. What this place needed, I thought, was a little discipline, so Jack sounded like just what the doctor ordered.

THE BOURNE LETTERS: SCRANTON, PENNSYLVANIA, TO FORT LAUDERDALE, FLORIDA

Here's a story that was originally published on Yankee Pot Roast. But they don't seem to be around anymore, so I'm posting it here, so it has a place to live.


THE BOURNE LETTERS: SCRANTON, PENNSYLVANIA, TO FORT LAUDERDALE, FLORIDA

Saturday, September 16, 2006
10:45 a.m.
Scranton, Pennsylvania

Woke up in a pool of blood in the back room of a diner in Scranton, Pennsylvania. Three hostiles dead in the walk-in cooler. Middle Eastern. The blood was not mine. Perhaps an answer to the questions that plague me—who am I? Who trained me? Why am I constantly on the run? Or only a false lead, more maddening questions.

Hostiles were sleepers, in deep cover as diner employees. I cleaned myself up and stumbled into a crowded room, thick with anger. Before I realized what was happening, I was frying eggs, cutting potatoes, warming coffee cups. If you place a pot’s lid over a cracked egg, Greta, and put some cheese on top, then slip in an ice cube, it will melt faster. Gotta keep the tables turning over, keep the barstools hot.

Twelve fifty in tips does not seem like a sufficient amount, especially for breakfast Sunday, four four-tops and a full bar.

The training I received, which I do not remember, has prepared me for many situations. Too many. And so I set off now on a Greyhound bound for Fort Lauderdale. What awaits in Fort Lauderdale? How, like a monarch migrating toward Cerro Chincua, do I know that this is my destination?

Instinct. It is all I have now.

I miss you, Greta.

Yours,

Jason Bourne

* * *

Saturday, September 16, 2006
1:30 p.m.
Carlisle, Pennsylvania

A Partial Transcript of the Creative Writing Workshop Session for "Thomas and the Magic Railroad," by Britt Allcroft



Here's a thing that I wrote that nobody seems to want to publish. And that's cool. It might be a little funny, especially if you have kids, and your brain is kind of mushy from reading, say, Thomas and the Magic Railroad every night for a year or two. In any case, I thought I'd just post it here.


A PARTIAL TRANSCRIPT OF THE CREATIVE WRITING WORKSHOP SESSION FOR "THOMAS AND THE MAGIC RAILROAD," BY BRITT ALLCROFT


"Were we all supposed to have pictures? I know this is only the second week of workshop, but, I mean, nobody else had pictures, right? Mine doesn't have any pictures. It could, though, I guess. I guess maybe it would be better with some pictures?"

"I loved the way you set up the basic dichotomy of capitalism here. I mean, on one side we have this little employee, and you definitely go out of your way to mention a lot of times how small he is, that he feels tiny, that even compared with other workers, you know, he still feels small, and that totally worked for me. And the other workers, they're like a bunch of tools. Like that Gordon. I mean, what a douchebag? But again, his douchey-ness totally worked for me, and it told me a lot about Thomas, that he just takes it, day after day after day. And then the corporate side of things -- Sir Topham Hatt and Mr. Conductor. I love what you did with those characters. It's right out of Kafka or, like, a Saunders story. On the one side, this guy who calls himself Sir and looks almost exactly like Dick Cheney..."

New Book, "If I Knew the Way, I Would Take You Home," coming in 2012 from Dark Sky Books

On the good news front, my new collection of short stories, "If I Knew the Way, I Would Take You Home," will be coming out next year from Dark Sky Books. This is a book of rock and roll short stories, and I couldn't be happier to have placed it at Dark Sky, which is awesome and getting awesomer all the time.

Here's Dark Sky's press release thingy.

"Seven Clowns Before the Explosion" up at Dark Sky Magazine

My story "Seven Clowns Before the Explosion" is up at the newly redesigned and really nice Dark Sky Magazine.

Here's the opening section:

He is driving, like always, curling the little car in ever-tightening spirals, pushing it, feeling the centrifugal force and allowing the audience to blur in his vision, a whirl of light and color, color and light, a beautiful hallucination, one of many that exist only within the small universe of the circus.

You read the whole thing over here at Dark Sky.

"Pop Star Dead at 22" up at Wigleaf

I have a short thing up at Wigleaf, called "Pop Star Dead at 22."

Here's the first paragraph:

Do you know what it's like when Myspace tells you they have to pull your profile because you're getting too much traffic? When Spencer Pratt friends you on Facebook? And then the next day, Brody Jenner? I mean they are friending you. You know what that's like? I do, bro. It's fucking awesome.

And here's the rest.